All Hallows

Poem for a Tuesday — “All Hallows” by Louise Gluck

Even now this landscape is assembling.

The hills darken. The oxen

sleep in their blue yoke,

the fields having been

picked clean, the sheaves

bound evenly and piled at the roadside

among cinquefoil, as the toothed moon rises:

This is the barrenness

of harvest or pestilence.

And the wife leaning out the window

with her hand extended, as in payment,

and the seeds

distinct, gold, calling

Come here

Come here, little one

And the soul creeps out of the tree.

in Louise Gluck. The First Four Books of Poems. (New York: Harper Collins, 1995).


Poet and essayist Louise Gluck was born in New York City in 1943. She suffered from anorexia nervosa as a girl and her early work lyrically reflected the struggle to live with trauma, failed love, family dysfunction, and despair. She graduated from Columbia University and supported herself as a secretary until the publication of her critically acclaimed first collection of poems Firstborn. She went on to publish eleven more works of poetry and three collections of essays. Gluck taught at Goddard College, Williams College, and served as the Rosencrantz Writer in Residence at Yale University. In 2003, she was named the twelfth US Poet Laureate. In 2020, she became the first American woman poet to win the Nobel Literature Prize for her overall contribution to literature. Louise Gluck died earlier this month at her home in Cambridge at the age of eighty.


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From Blossoms

Poem for a Tuesday — “From Blossoms” by Li-Young Lee

From blossoms comes

this brown paper bag of peaches

we bought from the boy

at the bend in the road where we turned toward   

signs painted Peaches.

From laden boughs, from hands,

from sweet fellowship in the bins,

comes nectar at the roadside, succulent

peaches we devour, dusty skin and all,

comes the familiar dust of summer, dust we eat.

O, to take what we love inside,

to carry within us an orchard, to eat

not only the skin, but the shade,

not only the sugar, but the days, to hold

the fruit in our hands, adore it, then bite into   

the round jubilance of peach.

There are days we live

as if death were nowhere

in the background; from joy

to joy to joy, from wing to wing,

from blossom to blossom to

impossible blossom, to sweet impossible blossom.

in 180 More Extraordinary Poems for Every Day, New York: Random House, 2005, page 143.


Li-Young Lee is a poet, essayist and memoirist. His work is marked by the spare elegance of traditional Chinese poets and the mystical edge of Eliot, Keats, and Rilke. He thoughtfully and sensitively explores themes of family, spirituality, and belonging. Lee’s family fled political persecution in China and Indonesia before emigrating to the United States, where his father attended seminary and became a Presbyterian minister. As a student at the University of Pittsburgh, Lee began writing poetry and discovered his life’s work. He received the American Book Award for his lyrical memoir The Wingéd Seed: A Remembrance. In an interview with Tina Chang of the American Academy of Poets, Lee reflected, “If you rigorously dissect it, you realize that everything is a shape of the totality of causes. What’s another name for the totality of causes? The Cosmos. So, everything is a shape of Cosmos or God. It feels like something bigger than me—that I can’t possibly fathom but am embedded in.”


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Testimony

Poem for a Tuesday — “Testimony” by Jane Flanders

This is how death

came to the old tree:

in a cold bolt, a single

thrust from a cloud,

in a tearing away of bark

and limbs, a piercing

of much that was necessary.

We had no choice then

but to cut it down–a pine

of great height, that knew much

about weather and small life.

It had been here longer

than any of us. And now

there is a hole in the sky.

In Cries of the Spirit, ed. Marilyn Sewell. Boston: Beacon Press, 1991. P. 126.


Jane Flanders was a poet, musician, and gardener. A three-time recipient of the Pushcart Prize, Flanders was the author of three volumes of poetry at the time of her death from cancer in 2001. Not long afterward, her husband Steve discovered more than 700 of her uncollected, unpublished poems, a number of which were subsequently published in three posthumous volumes. Reviewer Andrew Hudgins wrote that “Flanders constantly probes the commonplace, seeking what message it has to reveal about the infinite or to discover in what way a particular moment contains the eternal” (Hudson Review).


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